After a year away, Castro returns to anchor a neighborhood's secrets
Depois de um ano longe das telas, Caio Castro retorna ao horário nobre da Globo como protagonista coadjuvante de Olho por Olho, nova novela assinada por João Emanuel Carneiro. O retorno não é apenas o de um ator ao seu ofício, mas o de uma emissora reafirmando sua aposta em nomes consolidados para ocupar o espaço mais simbólico da televisão brasileira. Em tempos de pandemia e planejamento remoto, a novela ainda aguarda data de início, mas sua montagem já anuncia ambição.
- Após um ano de ausência, Caio Castro é confirmado em papel de destaque na faixa mais competitiva da TV aberta brasileira.
- A produção enfrenta o peso do contexto pandêmico: reuniões acontecem à distância e nenhuma data de gravação foi definida.
- O elenco robusto — com Leticia Colin, Gloria Pires, Edson Celulari e Humberto Carrão — sinaliza que a Globo trata o projeto como uma aposta de peso.
- Castro viverá Pablo, filho de uma personagem guardiã de segredos vivida por Eliane Giardini, ancorando uma das tramas ambientadas no bairro da Gamboa.
- A novela só entra no ar após o remake de Pantanal, o que coloca Olho por Olho como peça central do planejamento estratégico da emissora para o horário das nove.
Caio Castro volta ao horário nobre da Globo depois de um ano afastado das telas. Seu último trabalho na emissora foi A Dona do Pedaço, em 2019, onde interpretou o boxeador Rock. Agora, ele integra o elenco de Olho por Olho, novela escrita por João Emanuel Carneiro e dirigida por Carlos Araújo, que irá ao ar após o remake de Pantanal.
Na trama, Castro dará vida a Pablo, um vendedor de roupas e perfumes em uma loja sofisticada. Seu personagem é filho de Judite, papel entregue à experiente Eliane Giardini — uma mulher que carrega segredos alheios enquanto protege os seus próprios. Juntos, os dois sustentarão o núcleo ambientado no bairro da Gamboa.
A história central gira em torno de Leticia Colin, que interpreta uma mulher com deficiência visual maltratada pela própria mãe, vivida por Gloria Pires. Ao redor dessa espinha dorsal, desenvolvem-se subtramas de romance e vingança, com um elenco que inclui Humberto Carrão, Edson Celulari, Marina Moschen, Nicolas Prattes e Tonico Pereira. Vera Fischer ainda estava em negociação no momento da publicação.
Em meados de dezembro de 2020, a produção seguia em fase de planejamento remoto, sem data confirmada para o início das gravações nos estúdios da Globo — reflexo direto das restrições impostas pela pandemia. Ainda assim, ter João Emanuel Carneiro no comando dos roteiros indica que a emissora aposta alto na qualidade e no alcance do projeto.
After a year away from television, Caio Castro is returning to Globo's prime-time lineup. The actor, who last appeared on screen playing boxer Rock in A Dona do Pedaço, has been cast in the upcoming novela Olho por Olho, written by João Emanuel Carneiro and directed by Carlos Araújo. The show will air after the network's Pantanal remake concludes.
Castro will play Pablo, a salesman at a high-end retail shop who sells clothing and perfumes. His character is the son of Judite, a role that went to veteran actress Eliane Giardini. According to reporting from O Globo's Patrícia Kogut column, Giardini's character holds significant narrative weight—she knows secrets about many people in the story while guarding her own. Castro and Giardini will anchor the Gamboa neighborhood storyline, one of several interconnected plots woven through the novela.
The show's central narrative centers on Leticia Colin, who plays a woman with visual impairment whose own mother, portrayed by Gloria Pires, mistreats her. Colin's character becomes romantically involved with a man played by Humberto Carrão. Beyond this primary thread, the story also develops a revenge plot centered on a waiter. The ensemble cast includes Edson Celulari, Marina Moschen, Nicolas Prattes, and Tonico Pereira, with Vera Fischer still in negotiations for a role.
Castro's return marks a notable moment for the actor, who has also pursued a career in real-life racing. His absence from television lasted roughly a year after A Dona do Pedaço wrapped in 2019. The casting signals Globo's confidence in bringing established names back into its flagship nine o'clock time slot, where the network has traditionally positioned its most ambitious dramatic productions.
As of the reporting date in mid-December 2020, production remained in the planning phase. The creative team was conducting meetings remotely, and no start date had been set for work at Globo's studios. The delay reflected the broader constraints of the pandemic period, which had disrupted television production across Brazil. When filming does begin, the cast and crew will be working from scripts by one of Brazil's most prolific telenovela writers, suggesting the network is investing significantly in the project's quality and reach.
Citas Notables
Giardini's character will know many secrets of other people while guarding her own— O Globo reporting via Patrícia Kogut column
La Conversación del Hearth Otra perspectiva de la historia
Why does it matter that Castro is coming back now, after a full year away?
Television audiences in Brazil follow these actors closely. When someone disappears for that long, there's real curiosity about where they went and what they're doing. His return signals that Globo still sees him as a bankable name for prime time.
What's the significance of him playing the son of Eliane Giardini's character?
Giardini is a heavyweight—she's been working in Brazilian television for decades. Pairing a younger actor with her in a mother-son dynamic gives the storyline credibility and emotional depth. It's a deliberate choice to anchor that part of the narrative.
The story mentions he's also a real-life race car driver. Does that change how we should read this?
It shows he's not entirely dependent on acting. He has other pursuits, other income. That kind of independence sometimes means actors are more selective about the roles they take. If he's coming back, it's probably because the script and the role genuinely interested him.
Why is the Gamboa neighborhood storyline being highlighted separately?
In Brazilian novelas, the city is often divided into different social worlds—wealthy neighborhoods, working-class areas, each with their own dramas. Gamboa is a real, historically significant neighborhood in Rio. By anchoring Castro and Giardini there, the writers are creating a specific social geography for their characters' lives.
What does the remote production planning tell us?
It's December 2020. Brazil is still deep in the pandemic. No one can start filming yet. This is a show that won't air for months, maybe longer. It's all still theoretical at this point—meetings, scripts, negotiations. The actual work hasn't begun.