In the final weeks of his life, Andy Warhol reached across two centuries to reimagine Ludwig van Beethoven not as a marble monument but as a living icon — electric, immediate, and unmistakably present. Now, nearly four decades after Warhol's death in February 1987, the Beethoven House in Bonn opens the first major exhibition devoted to this unlikely encounter, displaying the silkscreen portraits alongside rare archival materials that illuminate how one era's rebel saw another's. Running through April 2027 and serving as prelude to the 200th anniversary of Beethoven's death, the exhibition asks