Nearly fifteen years after the final film, Tom Felton finds himself still inhabiting Draco Malfoy — this time on a Broadway stage where audiences, some too young to remember the original films, continue to erupt in recognition. The endurance of a character across generations raises a quiet question about what stories we choose to carry forward and why. Felton's return, soon to be joined by Rupert Grint, and shadowed by a new HBO adaptation, suggests that some mythologies do not conclude — they simply find new vessels.
Tom Felton Embraces Draco's Return on Broadway as Potter Universe Expands
I thought the applause would stop in the first week and it has not.
Why do you think the applause hasn't stopped? What's different about a live audience versus the film experience?
There's something about being in the room with people who grew up with these characters. They're not just watching a story—they're revisiting a part of their own lives. And I think the theatre format makes it more intimate somehow.
But we should be careful here. He says the applause hasn't stopped, but that's his subjective experience over ten months. We don't have attendance figures or data on whether the reaction is actually sustained or if he's noticing the moments that stand out.
He mentions fans who weren't born when the first film came out. That's a remarkable span of time. How does that land for him?
It's disorienting in the best way. You make something when you're young, and then decades later, you're meeting people for whom it's foundational. They don't remember a world without Draco Malfoy.
Though we should note—he's observing this anecdotally. We don't know what percentage of his audience falls into that category, or if it's just the memorable encounters that stick with him.
What does it mean that Rupert Grint is coming to Broadway in February? Is this a coordinated effort to bring the cast back?
It seems organic, actually. Felton called him immediately—they're not the type to stay in constant contact, so this news genuinely excited him. It's not a studio strategy; it's old friends returning to something they built together.
We don't know if there are other cast members in talks or if this is coincidental timing. The article doesn't tell us whether HBO's new adaptation prompted these Broadway returns or if they're separate decisions.
He met the young actor playing Draco in the HBO series. What was that encounter like?
He saw himself in Lox Pratt—the confidence, the charm. And instead of gatekeeping the role, he's encouraging him to be bold. Their families are even in touch now.
That's a nice detail, but it's one meeting. We don't know how deep that relationship will become or whether Felton will remain involved as the HBO series develops. He's being supportive now, but that could change.
Does he worry about the new adaptation overshadowing his work?
Not at all. He sees the longer television format as an opportunity to explore the books more fully than the films could. He's genuinely excited about what they might discover about Draco.
He says he's not worried, but we're only hearing his public position. We don't know if there's any professional concern beneath that. And we should note—the HBO series hasn't aired yet, so we don't actually know how audiences will respond to it or whether it will affect how people view the original films.
Il Polso
- Ten months into his Broadway run, Felton remains genuinely startled that the audience's enthusiasm has not faded — the roar each night defies his expectation that novelty would dissolve within weeks.
- Children who were not yet born when the films began are now shouting 'Draco' at him in the street, signaling that the character has escaped its own era and taken on a life independent of its origins.
- Rupert Grint's February arrival on Broadway as Ron Weasley transforms a solo return into a reunion, with Felton having called his old co-star immediately upon hearing the news — a rare act of initiative between two self-described poor communicators.
- A new HBO adaptation casts younger actors in the iconic roles, and Felton has already met his successor, offering the young Draco one piece of guidance: be as cheeky as possible, but professional first.
- Where the films compressed a vast world into two hours, the television format promises room to breathe — and Felton hopes audiences will finally discover dimensions of Draco that the constraints of cinema could never accommodate.
Nearly fifteen years after the final film, Tom Felton finds himself still inhabiting Draco Malfoy — this time on a Broadway stage where audiences, some too young to remember the original films, continue to erupt in recognition. The endurance of a character across generations raises a quiet question about what stories we choose to carry forward and why. Felton's return, soon to be joined by Rupert Grint, and shadowed by a new HBO adaptation, suggests that some mythologies do not conclude — they simply find new vessels.
Tom Felton steps onto the Broadway stage every night and the audience erupts. He had expected the novelty to fade within a week or two, but ten months into his run as Draco Malfoy in Harry Potter and the Cursed Child, the response has not diminished. Nearly fifteen years have passed since his final film appearance in the role, and yet people approach him — some too young to have seen those films in cinemas — still shouting the character's name.
We meet him at NBC Studios, just off Times Square, between a television appearance and an evening performance. He speaks with quiet warmth about what surrounds him: his mother has seen the show five times, his father is coming next month, and his hundred-year-old grandfather will watch the interview when it airs. Family, it seems, matters as much to him as the applause.
Felton was the first of the original cast to return to their character on stage, but he will not remain alone for long. Rupert Grint joins him on Broadway in February as Ron Weasley — news that prompted Felton to call his old co-star immediately, a rare act of initiative between two actors he describes as typically poor at keeping in touch. He offers Grint no advice. Grint has already worked on Broadway; if anything, Felton says, the learning would flow the other way. More than twenty years after they first met on set, he describes Grint, Daniel Radcliffe, and Emma Watson simply as family.
Meanwhile, a new generation is preparing to inherit these roles for an HBO television adaptation. Felton has already met Lox Pratt, who will play Draco in the series, and saw something of his younger self in the young actor. Their families have begun corresponding. He is not anxious about the scrutiny the new cast will face. What you don't know, he says, doesn't hurt you.
The longer television format excites him precisely because the films never had enough room. Two hours forced painful choices about what to leave out of a vast wizarding world. A series can linger, explore, and perhaps finally reveal the fuller dimensions of Draco that cinema could only gesture toward.
When asked whether this Broadway run is truly his last time as Draco, Felton pauses. He made the same declaration fifteen years ago, he notes — and here he is. 'It's hard to say with any certainty what's to come.'
Tom Felton steps onto the Broadway stage every night and the audience erupts. He had braced himself for the novelty to wear thin—a week, maybe two—but the roar has not diminished. Nearly fifteen years have passed since he last played Draco Malfoy on film. Now, after ten months performing the character in Harry Potter and the Cursed Child, he finds himself still surprised by the constancy of it all.
We meet in a dressing room at NBC Studios, just off Times Square, where Felton has just finished a television appearance and will soon return to the stage for another performance. He speaks with the ease of someone genuinely moved by what surrounds him. His mother has seen the show five times. His father is coming next month. His hundred-year-old grandfather will watch this interview when it airs—a detail Felton mentions with the kind of pride that suggests family support still matters as much as the applause.
What strikes him most is the composition of the audience itself. More than two decades after the first Harry Potter film, people approach him shouting "Draco" who were not yet born when he first took the role. The character has outlived its own era. "I thought the applause would stop in the first week and it has not," he says. "It's very humbling and lovely to know how much the characters still mean to people now and if it brings them to the theatre, that's the best."
Felton was the first of the original cast to return to the character on stage, but he will not remain alone for long. Rupert Grint, who played Ron Weasley, is set to join him on Broadway in February. Felton called Grint immediately upon hearing the news—a rare moment of initiative from two actors he describes as typically poor at maintaining phone contact. "Who doesn't want to see Rupert Grint play Ron Weasley again?" he asks. He offers no advice to his former co-star, laughing at the suggestion. Grint has already worked on Broadway. If anything, Felton says, he would be the one learning from him. More than twenty years after they first met on set, Felton describes Grint, Daniel Radcliffe, and Emma Watson as family, though the demands of their careers have scattered them across the globe. Their support since his return to Draco has been, he says, "fantastic."
While Felton and Grint reclaim their roles on stage, a new generation is preparing to step into these characters for an HBO television adaptation set to air later this year. Felton recently met Lox Pratt, who will play Draco in the series. He saw something of himself in the young actor—a confidence and charm, a facility with the craft. Their families have already begun corresponding. Felton has encouraged Pratt to be "as cheeky as possible—but professional first." He does not worry about the scrutiny the new cast will face. "You just enjoy it for what it is," he says. "What you don't know doesn't hurt you."
The longer format of television, Felton suggests, offers something the films could not: room to breathe. Two hours of screen time forced difficult choices about what to include from the books. A television series can linger. "We had two hours to fit in a lot of content and the wizarding world is vast, so it's exciting to know they can dive in deeper." He hopes audiences will use this opportunity to explore Draco more fully—to understand the character beyond the antagonist role the films required.
Felton has not tried to distance himself from Harry Potter, as some actors might. The franchise, he says, has given him "a life I could never have imagined." It continues to bring people together from every corner of the earth. When asked if this Broadway run is truly his final time as Draco, he hesitates. "I suppose I said 15 years ago that was the end of Draco and I was leaving him forever, but here I am," he says. "It's hard to say with any certainty what's to come."
Citazioni salienti
It's very humbling and lovely to know how much the characters still mean to people now and if it brings them to the theatre, that's the best.— Tom Felton
The franchise has given me a life I could never have imagined and it is bringing people together from every corner of the earth.— Tom Felton