In the ancient temples of Cambodia and the mountain villages of Nepal, a filmmaker moved through sacred spaces not as an intruder with equipment, but as something closer to a witness. Director Gareth Edwards carried Sony's new FX5 cinema camera — small enough to disappear into a crowd, yet capable of capturing 5K RAW images that once required far heavier machinery — through Southeast Asia and the Himalayas, testing whether the shrinking of technology might expand the boundaries of what cinema can see. The story is an old one: the tools of art grow lighter, and in that lightness, new doors open