In 2026, scholar Zoran Poposki offered a disquieting mirror to the art world: that non-fungible tokens, far from being a digital novelty, may be capitalism's most transparent self-portrait. Where traditional art has long disguised its commodity nature behind aesthetic and cultural value, the NFT dispenses with the disguise entirely — what is sold is not beauty or meaning, but the bare right to claim ownership. Poposki's analysis, drawing on critical theory, new materialism, and object-oriented ontology, invites us to sit with the uncomfortable possibility that the system has finally stopped pr