For decades, the soft blur of a professional lens—that quality of light that separates subject from world—belonged only to those who could carry the weight of serious equipment. Samsung's Portrait Video feature, arriving on the Galaxy Z series in 2026, represents a quiet but significant crossing: the optical soul of a large-aperture lens, reconstructed through AI and years of collaborative research, now lives inside a folding smartphone. It is the story of a photographer-turned-researcher whose 25-year passion became a tool for millions, and of two engineering teams who spent countless hours f
Samsung's Galaxy Z Series Brings Professional Lens Effects to Smartphone Video
No longer need to carry a separate professional camera
So Portrait Video is just a blur effect, right? Like the portrait mode that's been on phones for years?
It's more specific than that. It recreates how a professional large-aperture lens actually renders light and depth, not just softening the background. The bokeh—those circles of light—retain their shape and brightness, and the blur changes naturally based on distance.
How do they know they're actually replicating a real lens and not just making something that looks good? What's the verification there?
They analyzed actual professional camera lenses optically, converted the characteristics into data, then tested the results against real shooting conditions. The teams filmed each other repeatedly under different lighting and weather.
That sounds labor-intensive. Why not just use existing blur algorithms?
Because existing blur doesn't work the same way. It blends colors together, which flattens the image. A real lens spreads light in specific patterns. You need both the optical analysis and AI distance estimation to get it right.
The hair and eyeglass problem they mention—how solved is that really? They say they combined AI with boundary information from the footage, but is that reliable enough, or is it still a known limitation?
They tested extensively under varied conditions and refined it through software updates and additional AI training. But Park's language suggests it's an ongoing process—they kept improving unnatural elements.
Can users actually see the difference between this and a phone's regular portrait mode?
The key difference is the bokeh shape and how the blur changes with distance. In regular portrait mode, the blur is often uniform. Here it mimics a real lens, which is more natural-looking.
And the power consumption—they had to make trade-offs. Do we know what they sacrificed in terms of processing quality to make it real-time?
They don't specify which areas they reduced computation in. They say they preserved processing essential to image quality and reduced it where users wouldn't notice, but that's vague.
So users can adjust the blur after filming. That's different from a real camera lens.
Exactly. It's a hybrid—it mimics the optical effect of a professional lens, but adds flexibility a physical lens can't offer.
One more thing: they mention this is on the Galaxy Z series specifically. Is this exclusive to foldables, or does it come to other Galaxy phones?
The source only mentions the Z series launch in July 2026. Whether it rolls out to other models isn't stated here.
O Pulso
- Smartphone video has long carried a visible ceiling—sharp everywhere, atmospheric nowhere—while professional lenses rendered light in ways that felt emotionally different, not just technically superior.
- Recreating true bokeh in real time on a mobile device meant solving problems that simple blur filters never had to face: the physics of light through glass, the chaos of hair strands at a boundary, the heat of sustained 4K computation.
- Samsung Research and the MX Business ran iteration after iteration—filming colleagues in rain, in streetlight, in motion—until each unnatural edge and artificial cutout was hunted down and corrected.
- The result lands not as a filter but as a system: AI-estimated depth combined with optical data from real lenses, rendering blur that shifts with distance the way physics, not software presets, would dictate.
- Post-capture focus adjustment adds something even a physical lens cannot offer, giving creators the ability to reframe the emotional center of a shot after the moment has passed.
For decades, the soft blur of a professional lens—that quality of light that separates subject from world—belonged only to those who could carry the weight of serious equipment. Samsung's Portrait Video feature, arriving on the Galaxy Z series in 2026, represents a quiet but significant crossing: the optical soul of a large-aperture lens, reconstructed through AI and years of collaborative research, now lives inside a folding smartphone. It is the story of a photographer-turned-researcher whose 25-year passion became a tool for millions, and of two engineering teams who spent countless hours filming each other in changing weather until something that once required a cinema rig began to feel effortless.
Samsung's Galaxy Z series, unveiled in July 2026, carries a camera feature built around a deceptively simple ambition: making smartphone video look as though it was filmed through a professional lens. The feature is called Portrait Video, and its defining quality is bokeh—the soft, rounded circles of light that form when a background falls out of focus behind a sharp subject. Unlike a conventional blur, which merely blends colors together, this effect shifts in intensity based on the actual distance between subject and background, mimicking the optical behavior of a large-aperture lens.
The feature grew from a collaboration between Samsung Research and the Mobile eXperience Business. YoungGeol Kim, who leads the Visual Technology Team at Samsung Research, spent 25 years as a photography hobbyist before turning his attention to camera research. He had watched smartphone photography advance rapidly while video remained stuck in one particular way: it could not recreate the depth and light rendering that professional lenses produce. When the MX Business began looking for ways to help users make more cinematic video, Kim's team proposed converting their research into a product.
The hardest problem was not blur itself but the boundary between subject and background. Hair, eyeglass frames, and fine edges are nearly impossible for AI to separate cleanly, and small errors produce subjects that look artificially cut out. Samsung's solution combined AI depth estimates with boundary information pulled directly from the footage, preserving fine detail while maintaining the cinematic effect. Sang-uk Park, who oversees camera development at the MX Business, described a refinement process built on repetition—teams filming each other across varying weather, lighting, and movement conditions, reviewing results together until each unnatural artifact was resolved.
Power and heat imposed their own constraints. Processing 4K video in real time is computationally expensive, and the teams made deliberate choices about where quality was visible enough to justify the cost. The final feature also allows users to adjust blur levels and shift focus to a different subject after filming—a creative freedom no physical lens can offer.
For Kim, the hope is that users will feel they no longer need to carry a separate professional camera. What began as one researcher's long personal passion for photography has become a tool that places the shallow depth of field and light rendering of professional cinema in the hands of anyone holding a Galaxy Z series phone.
Samsung's latest Galaxy Z series, unveiled in July 2026, carries a camera feature that attempts something photographers have chased for years: making a smartphone video look like it was shot through a professional lens. The feature is called Portrait Video, and it works by keeping a subject sharp while the background blurs into soft, rounded circles of light—the effect photographers call bokeh. What makes this different from simple blur is that the effect changes naturally based on how far the subject sits from the background, mimicking the optical behavior of an actual large-aperture camera lens.
The technology emerged from a collaboration between two Samsung divisions: Samsung Research, which handles foundational technology development, and the Mobile eXperience Business, which builds features into devices. YoungGeol Kim, who leads the Visual Technology Team at Samsung Research, spent 25 years as a photography hobbyist before moving into camera research. He noticed that while smartphone photography had advanced rapidly, video lagged behind in one crucial way: it couldn't recreate the distinctive depth and background rendering that professional lenses produce. When the MX Business began exploring ways to help users create more professional-looking videos, the timing aligned. Kim's team proposed turning their research concept into a product feature.
The challenge was not simply to blur a background. A conventional blur works by blending surrounding colors together, which flattens the image. A real large-aperture lens operates differently. It renders out-of-focus areas with specific shapes and textures based on how light spreads through the glass. To replicate this on a smartphone, Samsung's researchers first analyzed how light behaves in actual professional camera lenses, converting those optical characteristics into data. They then combined this data with AI-estimated distance information about the scene, allowing the system to adjust both the degree of blur and the size of the bokeh based on the distance between subject and background.
The most difficult technical problem was rendering the boundary between subject and background naturally. Hair, eyeglass frames, and other fine details are nearly impossible for AI alone to separate cleanly from the background. A small error results in blurred hair strands or sharp patches of background that make the subject look artificially cut out. Samsung's solution was to combine AI distance estimates with boundary information extracted directly from the video footage itself, allowing the system to preserve fine details while still creating the cinematic effect. Sang-uk Park, who oversees camera development at the MX Business, described the refinement process: the teams filmed each other repeatedly under countless different conditions—varying weather, lighting, subject movement, and distance—reviewing results together and discussing what looked unnatural. The improvements were noticeable with each iteration.
Another constraint was power and heat. Processing 4K video in real time demands significant computation. The teams had to make strategic choices about where to preserve processing power for visible quality and where to reduce it in areas users wouldn't notice. The result was a balance: natural lens rendering achieved without draining the battery or generating excessive heat during extended recording sessions. Users can also adjust the blur level and shift focus to a different subject after filming, giving them creative control that a physical camera lens cannot offer.
The feature works best in specific lighting conditions. Bokeh becomes most visible when bright light sources—sunlight through leaves, Christmas lights, streetlights at night—sit against a darker background. When filming a person, positioning light from behind or to the side of the subject, rather than from the front, creates a more atmospheric result. The light softly illuminates the subject's hair and contours while making the background bokeh more prominent, and reflected or ambient light prevents the face from falling into shadow.
Park expressed hope that users, creators, and video professionals would be surprised by how easily they could now create cinematic video on a smartphone. Kim's vision extended further: he hopes people will feel they no longer need to carry a separate professional camera. The feature represents the culmination of extensive testing and collaboration—a research concept refined through real-world use until it became reliable enough for millions of devices. What began as one researcher's 25-year passion for photography has become a tool that brings the shallow depth of field and light rendering of professional cinema within reach of anyone holding a Galaxy Z series phone.
Citações Notáveis
I hope people feel they no longer need to carry a separate professional camera. We will continue advancing the underlying technologies so they can create cinematic videos with just a smartphone.— YoungGeol Kim, Visual Technology Team, Samsung Research
I'd like users, creators, and video professionals to be surprised by how easy it is to create cinematic video on a smartphone.— Sang-uk Park, camera development, Mobile eXperience Business