Some years are long enough to turn a person's own words into a stranger's. Paulina Porizkova, once known chiefly as a model and later a writer with a public voice, has returned to an opinion essay she wrote for The New York Times nine years ago about feminism, and in a new piece published on November 9, 2026, she considers that earlier self from where she stands now. The act of rereading one's past conviction, rather than defending it or quietly leaving it behind, is an old and honest human habit, and here it lands on a question that has always been about how individuals come to name themselve
Paulina Porizkova Revisits Her Past Views and Explains Why She Now Calls Herself a Feminist
She reads her own past views and responds to them.
Mark
Why does a nine-year-old essay deserve a second look?
Mimi
Because the author is the one doing the looking. Porizkova is rereading her own Times piece on feminism and explaining where she stands now.
Mark
And where is that?
Mimi
She now calls herself a feminist. That's the headline of the new piece.
Luke
Let me slow us down. Do we know what she originally argued?
Mimi
Not from what we have. We know the topic, feminism, and the timing, nine years ago.
Luke
So we can't say she reversed a position, only that her views shifted?
Mimi
The summary says they shifted. How far, and in what direction on specific points, we don't know.
Mark
What kind of piece is this?
Mimi
Opinion, a personal essay. It's her account, not an outside assessment.
Luke
Then any claim about a broader debate is speculation for now. The essay may prompt responses, but none are documented here.
Mark
So the honest takeaway is small?
Mimi
Small and clear: a public figure revisits her own words and explains a change.
Il Polso
- A nine-year-old essay on feminism is being read again in public, and the distance between the two pieces is itself the story.
- The new opinion piece sets a former model's earlier words against her present self, inviting readers to notice the shift.
- Her stated reason for now identifying as a feminist is the point where the reckoning lands, though its specifics remain in the full essay.
- The piece is personal opinion rather than reporting, so its force rests on her authority as author of both the old and new words.
- Readers are likely to debate how public figures define feminism and whether evolving stances are honest growth or a change of heart.
Some years are long enough to turn a person's own words into a stranger's. Paulina Porizkova, once known chiefly as a model and later a writer with a public voice, has returned to an opinion essay she wrote for The New York Times nine years ago about feminism, and in a new piece published on November 9, 2026, she considers that earlier self from where she stands now. The act of rereading one's past conviction, rather than defending it or quietly leaving it behind, is an old and honest human habit, and here it lands on a question that has always been about how individuals come to name themselves within a larger movement. She ends up explaining why she now calls herself a feminist, a claim that quietly marks how far her thinking has traveled.
Paulina Porizkova has gone back to something she wrote nine years ago. The former model, in a new opinion piece for The New York Times published November 9, 2026, returns to an earlier essay she wrote for the paper about feminism and looks at it again from where she stands today.
The available material is thin. Only a short description of the new piece exists, so what can be said is limited to the basic shape: a look back at what she once wrote about feminism, and an explanation of why she now calls herself a feminist. The exact arguments, the events that may have shaped her thinking, and the wording of her earlier view are not available here and should not be guessed at.
The central fact is the gap in time. The new essay treats her earlier writing as something to reread and answer rather than defend or bury. That framing suggests her position has moved, and the piece is an account of how it moved.
Because it is labeled opinion, it is one person's reckoning with her own words, not a news report or a survey of the wider debate. What comes next is modest: readers may respond to it, and the conversation about how public figures define feminism and change their stances may continue. For now, the essay itself is what to watch.
Paulina Porizkova has gone back to something she wrote nine years ago. The former model, in a new opinion piece published by The New York Times on November 9, 2026, returns to an earlier essay she wrote for the paper about feminism and looks at it again from where she stands now.
The source for this story is thin. All that is available is a one-line description of the piece: a look back at what she wrote in The Times about feminism nine years earlier. The text of the new essay is not available here, so what follows is limited to what that description and the surrounding editorial summary establish.
The central fact is the gap in time. Porizkova wrote her first piece for The Times nine years before this one, and the subject was feminism. The new essay treats that earlier writing as something to be revisited rather than defended or buried. She reads her own past views and responds to them.
The summary also makes clear where the essay lands. She explains why she now calls herself a feminist. That framing suggests her position has moved over the intervening years, and that the piece is an account of how and why it moved. The specific arguments, the incidents that may have shaped her thinking, and the exact language of her earlier stance are not in the material available, and they cannot be responsibly filled in.
The piece is labeled opinion, which matters for how it should be read. It is a personal essay, one person's reckoning with her own earlier words, not a news report and not a survey of the wider debate about feminism. Its authority comes from her having been the author of both the old piece and the new one.
What comes next is modest but real. An essay like this may invite responses from readers about how public figures define feminism and how personal stances change over time. For now, the thing to watch is the essay itself: what she says she got wrong, or saw differently, and what she says changed her mind.
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