In the long tradition of artists who find meaning where others find only scandal, Nathan Fielder has quietly assembled a documentary about Elizabeth Holmes — the woman who built Theranos on the architecture of belief — and unveiled it without warning at Telluride. Produced in secret by A24 and titled 'You Can See Everything,' the film arrives not as another courtroom retrospective but as something shaped by a filmmaker whose deepest instinct is to watch how people construct and inhabit their own fictions. Its 2026 release positions it as a cultural reckoning not merely with one woman's fraud,