A documentary called NAZA has arrived in Israel and found itself swallowed by the very controversy it sought to provoke, leaving its actual claims obscured beneath the noise of public opposition. What is striking is not merely that Israelis are angry, but that the nature of their anger remains difficult to read — it is unclear whether they reject the film because they believe it to be false, or because they fear it may be true. This ambiguity is itself a kind of answer, and it speaks to something older and more universal than any single film: the way societies protect themselves from truths th