Globe and Mail Weekender Breaks Down 'Looking in All Directions' Compass-Grid Theme and a Cryptic Letter-Bank Clue

The theme is something you notice after the fact.
The column explains why Govier's compass-edge theme in the Oct. 10 Weekender is easy to miss.
Mark

Why does a crossword theme like this one deserve a whole column?

Mimi

Because it hides in plain sight. Bays on the north edge, parks south, rivers east, woods west, and nothing in the grid announces it until you notice.

Mark

And the revealers tie it together?

Mimi

Yes: NORTH BAY, SOUTH PARK, EAST RIVER, WEST WOOD. Each names what runs along its edge.

Luke

Worth saying the praise for the fill, few junk entries, is the columnist's judgment. It's a fair expert opinion, not a measurement.

Mark

Fair. What made the grid so hard to build?

Mimi

Symmetry left to right meant east and west entries had to match in length, and the south edge ruled out parks like Algonquin because of the Q endings.

Luke

The source says Govier lost count of the iterations, so we don't know how many drafts there were. Only that it was many.

Mark

And the cryptic clue?

Mimi

A letter bank. Take the letters of "troupes," repeat some, rearrange, and you get SUPERSTORE.

Luke

Note the column names a few other indicator phrases but doesn't say how common this clue type is. It only says she hadn't covered it before.

  • A tightly constrained grid forced its constructor through countless revisions before a single theme could hold together.
  • Four compass-edge sub-themes lock each corner into place, leaving almost no room to move entries once construction began.
  • Short options such as Algonquin and Sasquatch were ruled out because the south edge demanded crossing words that simply did not exist.
  • The column answers the puzzle's difficulty with a new cryptic clue type, a letter-bank device that solvers are now invited to recognize and master.

Each week the crossword becomes a small arena where a constructor's patience meets a solver's curiosity, and this October Weekender offers a quiet example of how much labour hides behind a finished grid. Michèle Govier, an Ottawa constructor who spends her working days on international trade, built a puzzle whose meaning only surfaces once every square is filled, its four compass edges quietly naming bays, parks, rivers and woods across Canada. The Globe and Mail's puzzle column, in tracing how the theme and a tricky cryptic clue fit together, reminds readers that a game of words is also a patient act of arranging the familiar into new shapes.

The Globe and Mail's Oct. 10 Weekender crossword, titled Looking in All Directions, reveals its theme only once the grid is complete. Nothing needs adding and no tricks lie in wait; the compass work simply sits around the edges, waiting for the solver to notice it. Its constructor, Michèle Govier, works on international trade for the federal government and lives in Ottawa with her husband and two sons. This is her second Weekender, following Starter Sets in March, and a third is already underway.

The column walks through several of her clues with obvious affection. Engaged in some seedy activity turns out to mean sowing, and a protrusion from an old sock is simply a toe. The columnist, a longtime baseball mom, felt very seen by a clue about a question asked after missing the game. The theme itself has four sub-themes, each tied to an edge: NORTH BAY, SOUTH PARK, EAST RIVER and WEST WOOD, holding bays, parks, rivers and woods respectively. Govier made sure each name could double as something else, so NELSON suggests a Simpsons bully and STANLEY a popular tumbler.

The construction was hard. Symmetry demanded matching east and west lengths, and the south edge was tighter still, which ruled out several appealing words. Because each sub-theme was bound to its edge, the corners offered little flexibility. Govier, who lost count of her iterations, says the effort was worth it. The columnist agrees, noting that the grid is full of real words and lively clues rather than filler.

The column closes with a cryptic clue for the week, in which repeatedly reorganized signals a letter bank that reuses letters from troupes to build SUPERSTORE. It is a device the columnist had not yet covered, and readers are now encouraged to watch for it in future puzzles.

The Globe and Mail's Oct. 10 Weekender crossword is called Looking in All Directions, and the first thing to know about it is that the theme only shows itself once the grid is finished. Nothing is missing, no letters need adding, and there are no tricks along the way. The compass work sits quietly around the edges of the puzzle, and the weekly Puzzle Pieces column set out to point it out.

The constructor is Michèle Govier, who works on international trade matters for the federal government and lives in Ottawa with her husband and two sons. This is her second Weekender since the feature launched in February. Her first, Starter Sets, ran on Mar. 7, and a third is already in the works.

The column's author singles out several of her clues. At 47A, [Engaged in some seedy activity?] has nothing to do with shady deals in an alley; it means activities involving seeds. The word "engaged" can read as an adjective or a past-tense verb, and it is the verb sense that yields SOWED. At 72A, [It might protrude from an old sock] is a plain, vivid image rather than a pun, and the answer is TOE. At 41D, BREASTS is often clued as chicken pieces, but the author and Govier agreed there was no reason to avoid the human body and went with [Nursing providers?]. And at 58D, [Question after missing the game] gives WHO WON, which the columnist, a longtime baseball mom, says made her feel very seen.

The theme itself has four sub-themes, each with a revealer: NORTH BAY at 38A, SOUTH PARK at 101A, EAST RIVER at 46D and WEST WOOD at 48D. Each describes the entries running along the matching edge of the grid. The north edge holds the bays HUDSON, JAMES and GANDER. The south holds the parks GLACIER and STANLEY. The east holds the rivers NELSON, FRASER and BOW. The west holds the woods SPRUCE, CHERRY and ASH. Govier made sure each could double as something else; NELSON at 21D is the Simpsons bully with the distinctive laugh, and STANLEY at 129A is a faddish tumbler brand.

The constraints were heavy. She wanted the grid to stay as symmetrical as possible left to right, so the east and west entries had to match in length. The south edge was tighter still: Algonquin and Sasquatch were out, because few good words end in Q for the crossing Down slots. The list of options was short before construction even began.

Constructors usually shift theme entries around to find better fill, but here each sub-theme was bound to a particular edge and each corner had two entries essentially locked in. The revealers all touch entries that touch edge entries, except SOUTH PARK, which Govier isolated with black squares. The columnist's view is that an ambitious theme is pointless if the rest of the grid is junk. Here, she says, the grid is full of real words and lively clues, with very little glue or crosswordese.

Govier's own note says the theme was fun to develop, partly because it let her reference places and things from different regions of Canada, but the execution was tricky. She lost count of the iterations and is pleased to see it in print.

The column closes with a cryptic clue of the week, from 9A of the Oct. 10 Weekender Cryptic: [Troupes repeatedly reorganized huge retail outlet (10)]. "Reorganized" looks like an anagram indicator, but "huge retail" is ten letters and would leave stray words, while "repeatedly" is ten letters but too small a piece of the clue. The key is that "repeatedly reorganized" signals a letter bank: reuse some letters of "troupes" and rearrange them to get SUPERSTORE. Other possible indicators include "mixed up again and again" and "with some duplicated components." It is a clue type the columnist says she had not yet covered, and now solvers can watch for it.

The theme was fun to develop, but the execution was tricky; she lost count of the iterations.
— Michèle Govier, constructor (paraphrased)
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