The audience kept returning — and brought others along.
Fifteen days into its theatrical run, 'Dhurandhar: The Revenge' is sitting just shy of a number that Bollywood rarely sees: ₹1,500 crore at the worldwide box office. The Aditya Dhar-directed spy thriller, led by Ranveer Singh, closed out its second week with a global gross of ₹1,492.17 crore and is widely expected to clear that milestone before the week is out.
The film stars Ranveer Singh as Hamza Ali Mazari, an undercover Indian intelligence operative whose cover identity is Jaskirat Singh Rangi. The story picks up after the killing of a figure named Rehman Dakait and follows Hamza's efforts to consolidate power in the Lyari underworld while dismantling threats one by one. The ensemble cast includes Sanjay Dutt as SP Chaudhary, Arjun Rampal as Major Iqbal, Rakesh Bedi as Jameel Jamali, and R Madhavan as Ajay Sanyal, among others.
The film's opening was formidable. It earned ₹43 crore on its preview Wednesday before the official release, then crossed ₹100 crore on its first Thursday alone — ₹102.5 crore net, to be precise. The first weekend sustained that momentum, with Saturday and Sunday each clearing ₹113 crore and ₹114.85 crore respectively. By the end of week one, the domestic net collection had reached ₹624.47 crore.
Week two showed the natural settling that follows a blockbuster opening. The second Thursday still pulled in ₹49.70 crore, and the second weekend — ₹62.85 crore on Saturday, ₹68.10 crore on Sunday — demonstrated that the film had genuine staying power rather than a front-loaded flash. The weekdays of the second week were softer, ranging from ₹20 to ₹27 crore, but they kept the cumulative tally climbing steadily.
On day 15, April 2, the film earned ₹17.80 crore across 17,030 shows, according to tracking platform Sacnilk. That represented a drop of just over 11 percent from the ₹20.10 crore collected the day before — a modest decline for a film in its third week. The domestic net total now stands at ₹937.32 crore, with the domestic gross at ₹1,122.17 crore. Overseas markets have contributed approximately ₹370 crore to the global gross.
The ₹1,500 crore worldwide mark is not merely a round number to celebrate. It places a film in genuinely rare company in Hindi cinema, a threshold that only a handful of releases have ever approached or crossed. That 'Dhurandhar: The Revenge' is arriving there in its third week — rather than burning out after a spectacular opening — speaks to an audience that kept returning and, in many cases, brought others along.
Aditya Dhar, who previously directed the Uri franchise, has built a film that trade observers describe as a relentless escalation of plot twists, each one designed to leave the audience recalibrating what they thought they knew. Whether that formula sustains through the third weekend will determine how far past ₹1,500 crore the final tally lands.
Notable Quotes
The film is expected to cross the ₹1,500 crore worldwide mark within its third week of release.— Trade report cited by Times of India
The Hearth Conversation Another angle on the story
What actually makes a film like this sustain into a third week? Most big openers collapse after the first weekend.
The second-week numbers tell the story. When a Saturday in week two still pulls over sixty crore, that's not leftover opening-weekend audience — that's word of mouth doing real work.
The overseas number, around three hundred seventy crore, is that significant for a Hindi film?
It's meaningful. It suggests the film traveled beyond the diaspora core, which is the harder thing to achieve. A lot of Bollywood blockbusters are essentially diaspora events abroad. When the number gets that large, something else is happening.
The cast is unusually deep for a spy thriller — Sanjay Dutt, Arjun Rampal, R Madhavan, Rakesh Bedi. Does that spread the appeal?
It probably does, but it also raises the stakes. A film with that many recognizable faces has to give each of them something real to do, or the audience notices the waste.
The story is set in the Lyari underworld. That's a specific, politically charged geography. Does that add texture or does it become a liability?
For audiences who know what Lyari represents, it adds weight. For those who don't, it's just a vivid backdrop. Either way, it gives the film a grounding that pure fantasy spy thrillers often lack.
Aditya Dhar directed Uri. Is there a through-line in how he constructs these films?
The escalation structure seems consistent — each act raises the cost of failure for the protagonist. The audience is never allowed to feel safe on his behalf.
What does crossing fifteen hundred crore actually mean for the industry right now?
It signals that the appetite for large-scale Hindi cinema isn't gone, it's just selective. The audience will show up, but they're choosing carefully. A film that earns this has cleared a very high bar of trust.