In Berlin, a drag festival built around Eastern Mediterranean queer icons offered a quiet counterweight to a year marked by violence and suspicion. Hassandra, a Lebanese-born performer and co-founder of the ADIRA collective, uses the stage to honor figures like Elissa while insisting that admiration should never become blind devotion. The event unfolds against the grief of a deadly Islamist attack on Berlin's pride parade, which in turn has drawn racism onto Arab queer communities who were not responsible for it. In gathering people to celebrate, question and belong, the collective is working
Berlin's Arab Queer Community Builds Space Through Drag, Music and Shared Belonging
"There's place for everyone. It's a huge country."
Why does a drag festival about pop divas belong in a story about the Pride attack?
Because Hassandra puts them side by side. ADIRA is a place of belonging, and after July that mattered more, since Arab queer people faced racism in the attack's aftermath.
To be precise, the piece doesn't give details of the attack beyond calling it a deadly Islamist terrorist attack at Berlin's Christopher Street Day parade in July. No casualty figures here.
What is the idea behind choosing Elissa?
She's contradictory. Her songs are soft and romantic, her personality is blunt, and she has backed LGBTQ+ people while angering many with other political stances.
Note that the description of her personality and the "Adele vibes" comparison are Hassandra's view, not an independent assessment.
So the theme is a critique as much as a tribute?
Yes. Hassandra says idealizing divas is common among queer people, and wants the critical lens applied to politicians, parties and activists too.
We don't know how audiences responded on the night. The article is a pre-show interview.
And the racism after the attack?
Hassandra says it's real and personal, and that Arab communities are used as a punching bag.
That is one artist's account. The piece offers no data on incidents of racism.
Il Polso
- A deadly Islamist attack on Berlin's Christopher Street Day parade in July has left queer Arab communities facing a fresh wave of racism and blame.
- Hassandra and the ADIRA collective are answering the backlash with a festival that refuses easy idols and asks audiences to think critically about every public figure.
- The third ADIRA Drag Festival, 'Who's Your Diva?!', turned tributes to Umm Kulthum, Bülent Ersoy and Elissa into a reckoning with their political contradictions.
- Hassandra insists that Arab queer people should mourn the victims and reject racism at once, refusing to be the punching bag for a country's anxieties.
- Amid rising Islamophobia and homophobia, ADIRA is steadily building spaces of belonging, with the stated goal of making Germany safer for everyone.
In Berlin, a drag festival built around Eastern Mediterranean queer icons offered a quiet counterweight to a year marked by violence and suspicion. Hassandra, a Lebanese-born performer and co-founder of the ADIRA collective, uses the stage to honor figures like Elissa while insisting that admiration should never become blind devotion. The event unfolds against the grief of a deadly Islamist attack on Berlin's pride parade, which in turn has drawn racism onto Arab queer communities who were not responsible for it. In gathering people to celebrate, question and belong, the collective is working to show that a place can be made safe for many kinds of people at once.
On October 30 in Berlin, the drag performer Hassandra took the stage as Elissa, the Lebanese pop star, at the third ADIRA Drag Festival. The theme, "Who's Your Diva?!", paid tribute to queer icons from across the Eastern Mediterranean, including Umm Kulthum, Bülent Ersoy and Haifa Wehbe, and examined their political complexity rather than simply celebrating them.
ADIRA is a Berlin collective Hassandra co-founded in 2023 with the DJ Zuher Jazmati. Its name comes from Levantine queer slang for someone with a powerful, accomplished presence, and its events are built around the asterisk in "queer Arab*", a deliberate gesture that includes non-Arab minorities and people with roots in Southwest Asia and North Africa. Hassandra, born in Beirut in 1994, moved to Berlin in 2017 as Lebanon's economic crisis deepened, and found in the city's independent art and queer nightlife a place to make drag and performance their own.
Hassandra chose Elissa knowing she was an unlikely tribute: a soft, romantic singer whose public persona is feisty and unfiltered, and whose political stances have caused controversy across the Arab world. For Hassandra, that tension is the point. Queer audiences, they argue, tend to idealize pop divas, and should instead hold every idol, politician, party and activist to a critical standard.
The festival took place under a heavy shadow. In July, an Islamist attack on Berlin's Pride parade killed people, and afterward Arab queer people found themselves caught between identities, facing racism they had no part in. Hassandra's response is twofold: grieve openly, and refuse the scapegoating. Rather than let the attack feed hatred, they want Germany to become a safer place for everyone, insisting there is room for all.
On October 30, in Berlin, the drag performer Hassandra took the stage as Elissa, the Lebanese pop star, at the third ADIRA Drag Festival. The theme this year was "Who's Your Diva?!" Performers paid tribute to figures from across the Eastern Mediterranean who have become queer icons, among them the Egyptian singer Umm Kulthum, the Turkish star Bülent Ersoy and the Lebanese pop singer Haifa Wehbe.
The festival belongs to ADIRA, a Berlin collective that organizes events and club nights celebrating queer Arab* culture. The asterisk is deliberate: it includes ethnic minorities who are not Arab, and people with varied identities and roots in Southwest Asia and North Africa. The name comes from Levantine queer slang. An adira is someone with a strong presence, powerful and accomplished.
Hassandra, who uses the pronoun "they" and works as a performance artist, drag performer, DJ and organizer, founded ADIRA in 2023 with Zuher Jazmati, a Syrian-German DJ and cultural producer who performs as xanax_attax. The collective runs panel discussions, performances and music events, all built around collective participation and community-building.
The choice of Elissa was not an obvious tribute. Speaking to DW before the show, Hassandra described her discography as romantic, raw and soft, "very Adele vibes." Her personality, they said, is the opposite: feisty, blunt, unfiltered. Elissa has spoken out on Lebanese politics and has publicly backed LGBTQ+ communities in the Middle East. She has also repeatedly caused controversy across the Arab world with her positions on other political questions. Hassandra's performance takes on that contradiction, tapping into what they called her controversial political opinions.
That is the point of the theme. "As queer people, we tend to idealize a lot of pop divas," Hassandra said, "but these pop divas are very imperfect in their nature." The show revisits their legacies through a more critical lens, and Hassandra wants that habit to travel beyond the stage: no one should blindly follow any politician, political party, pop diva or activist.
Hassandra was born in Beirut in 1994 and studied theater and stage acting at the Lebanese University. They moved to Berlin in 2017, at 22. They call it an impulsive decision, but add that Lebanon's economic situation was bad and getting worse. In Berlin they became involved in the independent art scene and queer nightlife, and drag became another way to express themself. Their performances mix theatrical intensity, political humor, grotesque aesthetics and moments of tenderness, and they question conventional ideas of gender and identity. Recurring subjects are home, nostalgia, displacement and queer Arab culture.
The context for this year's festival is heavy. Islamophobia and homophobia are rising alongside the far right, and spaces like ADIRA offer Arab queer people belonging and support. In July, an Islamist terrorist attack struck Berlin's Christopher Street Day pride parade, and the attack was deadly. Afterward Hassandra felt caught between identities. As an Arab queer person, they said, "you fall in this position where then you start receiving a lot of racism."
Their response is double. Queer Arabs, Hassandra said, should say they are sad about what happened and also reject the racism that followed. They described the Arab community as being used as a punching bag for many things happening in the country. Rather than let the attack feed hatred, they said, "we should make Germany a safer place for everyone to live in. There's place for everyone. It's a huge country." The interview was conducted by Gönna Ketels.
Citazioni salienti
As queer people, we tend to idealize a lot of pop divas. But these pop divas are very imperfect in their nature.— Hassandra, co-founder of ADIRA
We should make Germany a safer place for everyone to live in.— Hassandra, to DW