4 Expert Strategies to Conquer Performance Anxiety Before High-Stakes Events

Your nervousness isn't the problem—what you do with it is.
Kamphoff's core insight: performance anxiety can be redirected into focus rather than eliminated.
Mark

So these are techniques you can actually use right before the big moment? Not something you need to practice for months?

Mimi

Exactly. Kamphoff's whole point is that you don't have time for a long therapeutic process when you're sitting in the waiting room. These are tools you deploy in the moment.

Luke

But I want to know: does she have data showing these actually work? Or are these more like—useful mental tricks that feel good but might not change outcomes?

Mimi

The source doesn't provide specific studies or success rates. It's framed as strategies from her experience as a confidence coach, but we're not told how many people she's worked with or what the measurable results were.

Mark

What about the flushing-mistakes-down-the-toilet one? That sounds almost too simple.

Mimi

It works because it's memorable and gives your brain a concrete action to take with the anxiety. Instead of just trying to ignore the worry, you're doing something with it.

Luke

But again—is that based on neuroscience, or is it just a metaphor that feels satisfying? The source doesn't say.

Mimi

Fair point. We know it's something Kamphoff recommends, but the mechanism isn't explained in the reporting.

Mark

What about the reframing anxiety as excitement? That one feels like it has some science behind it.

Mimi

It does in general—there's research on how the body's response to anxiety and excitement are similar. But this particular source doesn't cite that research. It just presents it as Kamphoff's advice.

Luke

So we're relying on her credibility as a psychologist, but we don't know her specific credentials or track record.

Mimi

Right. She's identified as a psychologist and confidence coach, but the source doesn't give us her background or publications.

Mark

Still, the basic idea makes sense—that you can redirect nervous energy into focus.

Mimi

It does. And people clearly do find these kinds of techniques helpful. The question is just how much of that is the technique itself versus the placebo effect of having a strategy at all.

  • The body is already in motion — shaking hands, racing heart, a voice whispering failure — and the event hasn't even started yet.
  • Most people try to suppress the anxiety, which only amplifies it; the real disruption is the spiral of imagined outcomes no one can control.
  • Kamphoff offers four in-the-moment techniques: flushing worries away with a vivid mental image, reframing physical symptoms as readiness rather than danger, narrowing focus to only what is within your control, and anchoring confidence through a personal ritual or phrase.
  • The physiological experience of anxiety and excitement are nearly identical — the difference is interpretation, and interpretation can be chosen.
  • These strategies require no long preparation; they are designed for the parking lot, the starting line, the thirty seconds before the door opens.
  • The destination is not the absence of nerves, but the ability to move through them — redirecting their energy into presence and performance.

In the charged silence before a high-stakes moment — the interview, the race, the presentation — anxiety arrives not as an enemy but as evidence that something matters. Psychologist Cindra Kamphoff has spent years studying this threshold, and her conclusion is quietly radical: the nervousness is not the obstacle. What we do with it, in those final minutes, is where the real performance begins.

Your hands are shaking. The interview is twenty minutes away, or the race is about to begin, or the board is waiting. The anxiety is real — and psychologist Cindra Kamphoff has spent years working with people at exactly this edge. Her central insight is disarmingly simple: the nervousness itself isn't the problem. What matters is what you do with it.

Her first technique sounds almost silly until you try it — mentally flush your worries down the toilet. When a fear surfaces, you acknowledge it, then give it a ridiculous, physical destination. The brain releases its grip on anxiety more easily when the anxiety has somewhere absurd to go. It isn't denial; it's a way of processing fear without letting it take up residence.

The second strategy is about reinterpretation. That racing heart and adrenaline surge are not signs of danger — they are signs of readiness. The physiology of anxiety and excitement are nearly the same; only the meaning we assign differs. Kamphoff encourages people to tell themselves: this is what my body does when it's preparing to perform.

The third technique is about narrowing focus. High-stakes moments invite spiraling — worry about the interviewer's judgment, the competition's strength, the unpredictability of luck. Kamphoff redirects that energy toward what is actually within reach: your breathing, your preparation, the single next action required.

The fourth strategy is building a confidence anchor — a phrase, a gesture, a deliberate breath — something you can return to when anxiety spikes. The ritual resets the nervous system and reminds you that you have navigated pressure before.

What unites all four approaches is that they are available right now, in real time, with no special equipment. Kamphoff's work reframes performance anxiety not as a barrier but as a signal — proof that something matters — and offers a path to move through it rather than around it.

Your hands are shaking. The interview is in twenty minutes, or the race starts in an hour, or you're about to present to the board. The anxiety is real—that flutter in your chest, the voice telling you that you might fail, that everyone will see it happen. Psychologist Cindra Kamphoff has spent years working with people in exactly this position, and she has learned that the feeling doesn't have to control the outcome.

Kamphoff's approach to performance anxiety rests on a simple premise: the nervousness itself isn't the problem. What matters is what you do with it in the moments before you have to perform. She offers four concrete strategies that people can deploy when the pressure is highest.

The first is a technique that sounds almost absurd until you try it: mentally flush your mistakes down the toilet. When a worry surfaces—I might forget my lines, I might stumble on the first question, I might miss the opening kick—you acknowledge it, then consciously let it go. The image is crude and memorable, which is partly why it works. Your brain doesn't hold onto the anxiety the same way when you've given it a physical, ridiculous destination. It's not denial. It's a way of processing the fear without letting it nest in your mind.

The second strategy involves reframing what your body is telling you. That racing heart, that adrenaline surge—these are not signs of danger. They're signs of readiness. Kamphoff encourages people to interpret the physical symptoms of anxiety as excitement instead. The physiological response is nearly identical; the interpretation is what changes. When you feel that surge, you can tell yourself: this is my body preparing me to perform well. This is what readiness feels like.

The third technique is about controlling what you can control. Before a high-stakes moment, people often spiral into worry about outcomes they cannot influence—what the interviewer will think, whether the competition will be fierce, whether luck will break their way. Kamphoff suggests redirecting that mental energy toward the specific actions and behaviors within your direct power. Focus on your breathing. Focus on the preparation you've already done. Focus on the next single thing you need to do, not the entire event ahead.

The fourth strategy is building what Kamphoff calls confidence in the moment. This isn't about positive thinking or self-help platitudes. It's about creating a small ritual or mental anchor that you can return to when anxiety spikes. Some people use a specific phrase they repeat to themselves. Others use a physical gesture—touching a particular spot, taking a deliberate breath, clenching and releasing their fists. The ritual becomes a way to reset your nervous system and remind yourself that you have done this kind of thing before, that you have the capacity to handle what's coming.

What ties these strategies together is that they are all actionable in real time. You don't need weeks of therapy or a complete personality overhaul. You need something you can do in the parking lot before the interview, or in the moments before the starting gun fires. Kamphoff's work suggests that performance anxiety, while uncomfortable, is not a barrier to performing well—it's a signal that something matters to you, and it can be redirected into focus and energy. The goal isn't to eliminate the nervousness. It's to move through it.

Kamphoff frames performance anxiety not as a barrier but as a signal that something matters to you
— Psychologist Cindra Kamphoff
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