The party doesn't have to wait for night.
Las Vegas has long understood that the night is a canvas for spectacle, but OMNIA Dayclub & Skybar at Caesars Palace is asking a quieter, more audacious question: what if the afternoon could hold the same weight? Tao Group Hospitality has expanded the original OMNIA Nightclub outward into 46,000 square feet of open-air space, drawing on the beach club traditions of Mykonos and Ibiza to reimagine how a city built on nocturnal excess might reclaim its daylight hours. In doing so, they have attracted not just celebrities and world-class DJs, but a genuine shift in how visitors understand the rhythm of a Las Vegas day.
- For years, Vegas's most ambitious venues simply surrendered the afternoon to the heat, leaving a gap that OMNIA's operators finally decided to fill rather than accept.
- Within two months of opening, the dayclub had drawn LeBron James, Wilmer Valderrama, and a DJ roster spanning Zedd, Armin Van Buuren, and Rüfüs Du Sol — proof that A-list appetite for daytime spectacle was real and waiting.
- The venue's Skybar tier offers a deliberate counterpoint to the main floor frenzy, giving guests shaded lounges and craft cocktails — Lavender Sours, Four Berry Bucks, premium frozen drinks — that signal ambition beyond the bottle-service formula.
- An 8K LED screen visible in full daylight and a state-of-the-art sound system anchor the space in modern entertainment technology, ensuring the European beach club aesthetic never drifts too far from Vegas's native language of scale.
- Tao Group co-CEO Noah Tepperberg has framed the expansion as a forecast: daytime entertainment is where Las Vegas is heading, and OMNIA has moved early enough to define what that looks like.
When Caesars Palace launched OMNIA Nightclub over a decade ago, it became a reliable engine of after-dark spectacle — 75,000 square feet of multi-level energy that cemented its place among the Strip's most celebrated venues. But daylight in Las Vegas had always been a different, harder problem. The heat is unforgiving, and for years even the city's most sophisticated venues simply waited it out until evening.
This year, OMNIA's operators chose a different answer. Tao Group Hospitality built a 46,000-square-foot outdoor expansion — the OMNIA Dayclub & Skybar — directly adjacent to the original nightclub, merging the two into a single entertainment complex of unusual scale. The design drew from the beach clubs of Mykonos and Ibiza: teakwood surfaces, emerald accents, Mediterranean-colored cabanas, and a spatial flow that invites movement across multiple levels. At the center of it all, a DJ booth backed by an 8K LED screen bright enough to cut through full afternoon sun.
The venue found its footing quickly. Within two months, it had hosted LeBron James and Savannah James, actor Wilmer Valderrama, and model Ashley Graham. The DJ calendar filled with festival-caliber names — Armin Van Buuren, Rüfüs Du Sol, Steve Aoki, and Zedd, who played a special Fourth of July set. The dayclub had become somewhere the famous genuinely wanted to spend their afternoons.
What separates OMNIA Dayclub from a standard bottle-service operation is the care extended to its cocktail program. The second-level Skybar offers tiered seating and shaded lounges overlooking the main floor, paired with a drink menu that reflects real craft — a Lavender Sour built with ELYX vodka and Italian aperitif, a Four Berry Buck modified with Chambord and ginger, frozen drinks anchored by award-winning spirits. The spectacle and the substance coexist.
Tao Group co-CEO Noah Tepperberg has described the expansion as a signal about where Las Vegas entertainment is heading — toward daytime experiences built at the scale the city has always demanded. Early visitors seem to be confirming the thesis, with many reporting that their most memorable moments are now happening before sunset. If the pattern holds, OMNIA has done more than open a new venue — it has staked a claim on the next chapter of the Strip.
When Caesars Palace opened OMNIA Nightclub more than a decade ago, it became the kind of place where the night belonged to the famous and the restless. Seventy-five thousand square feet of multi-level space, world-class DJs, the machinery of high-end nightlife running at full throttle. It worked. The venue established itself as one of Las Vegas's most reliable draws for anyone who wanted to be seen after dark.
But daylight in Vegas presents a different problem. The sun is relentless. The heat is real. And for a long time, the city's most sophisticated party venues simply closed their doors until evening. Earlier this year, OMNIA's operators decided to change that equation. They built outward and upward: a 46,000-square-foot outdoor addition called the OMNIA Dayclub & Skybar, designed to capture the energy of a European beach club and transplant it directly onto the Las Vegas Strip, right next to the original nightclub. The two spaces now function as a single entertainment complex of unusual scale—even for a city built on the premise that bigger is always better.
The gamble paid off almost immediately. Within two months of opening, the dayclub had hosted LeBron James and his wife Savannah, actor Wilmer Valderrama, and model Ashley Graham. The DJ roster read like a festival lineup: Armin Van Buuren, Rüfüs Du Sol, Steve Aoki, and most recently Zedd, who played a special set over the Fourth of July weekend. The venue had become the kind of place where A-list celebrities actually wanted to spend their afternoons.
What distinguishes OMNIA Dayclub from the typical Vegas bottle-service operation is its commitment to cocktail craft alongside the spectacle. The second level, called the Skybar, features tiered seating and shaded lounges that overlook the main floor—a design that lets guests feel part of the action without being consumed by it. The drink menu reflects genuine attention to ingredients and technique. A Four Berry Buck arrives modified with Chambord, strawberry, and ginger. The Lavender Sour pairs the flower with ELYX Single Estate Vodka and an Italian aperitif. Even the frozen drinks—the Watermelon Margarita built with award-winning Herradura tequila, the Dragon Fruit Piña Colada made with a limited-edition Mount Gay rum—signal that someone behind the bar cares about what goes into the glass.
The design team, brought in by Tao Group Hospitality (the restaurant and nightlife company that operates OMNIA), drew inspiration from the beach clubs of Mykonos and Ibiza. You see it in the materials: teakwood, polished emerald accents, cabanas in Mediterranean colors. You feel it in the spatial flow, which encourages movement and conversation across multiple levels. But the venue never forgets it's a modern entertainment space. The main DJ booth sits in front of an 8K LED screen bright enough to be visible in daylight from a distance. The sound system is state-of-the-art. The effect is something between a festival and a beach club—the kind of hybrid that only makes sense in Las Vegas, where the normal rules of what a venue can be don't quite apply.
Tao Group co-CEO Noah Tepperberg framed the expansion as a statement about the city's future. The dayclub, he suggested, represents what comes next for Las Vegas entertainment—something built to the scale and ambition the city has always demanded, but operating in daylight instead of darkness. Early visitors seem to agree. Many are reporting that their best party experiences are now happening in the afternoon. If that pattern holds, OMNIA has positioned itself not just for another successful season, but for another decade of dominance in a market that rewards venues willing to reimagine what's possible.
Citações Notáveis
With OMNIA Dayclub & Skybar, we're defining what's next for Las Vegas at the scale, energy, and ambition the city demands.— Noah Tepperberg, Tao Group Hospitality co-CEO
A Conversa do Hearth Outra perspectiva sobre a história
Why does a nightclub need a daytime version? Isn't that contradictory?
Not really. Vegas has always been about creating an escape from normal time and space. A nightclub does that by making darkness feel like the right place to be. A dayclub does the same thing with sunlight—it says, the party doesn't have to wait for night. It's a different kind of permission.
But doesn't the heat and daylight work against the atmosphere?
That's what makes the design matter so much. The Skybar's shaded seating, the Mediterranean aesthetic, the massive LED screen—these aren't decorative. They're solving the problem of how to make daylight feel intentional, not like you're just sitting outside in the heat.
The cocktail program seems unusually sophisticated for a venue this size.
That's deliberate. Most Vegas venues assume bigger crowds mean lower standards. OMNIA is saying the opposite—that you can have both scale and craft. The tiered seating helps. You're not forced into the bottle-service crush if you don't want to be.
Why does it matter that LeBron James showed up?
It signals that the venue isn't just a novelty. When A-list celebrities choose to spend their time somewhere, it becomes a destination rather than a gimmick. It becomes real.
What's the actual innovation here?
The innovation is treating daytime as a legitimate party time, not a consolation prize. Vegas has always been about night. This says: the day can be just as good, if you design it right.