José Ruiz Núñez receives 'Escudo de Oro' for lifetime devotion to Vélez-Málaga Holy Week

When you do work that genuinely moves you, you are already paid.
Ruiz Núñez on why he devoted decades to embroidery and brotherhood leadership without compensation.

Ruiz Núñez served 12 years as Hermano Mayor of the Gran Poder brotherhood and has been a master embroiderer since the 1980s, creating liturgical pieces across Málaga province. His passion stems from family tradition and deep spiritual connection to the unique iconography of the brotherhood's processional images and Virgin Mary representations.

  • Served 12 years as Hermano Mayor of the Gran Poder brotherhood, ending in 2022
  • Master embroiderer since the early 1980s, self-taught, creating liturgical pieces across Málaga province
  • Received the Golden Shield award in 2026 from the Cofradía Assembly of Vélez-Málaga
  • The Great Power image by sculptor Domingo Sánchez Mesa has a unique horizontal posture unlike any other in the province

José Ruiz Núñez receives the Golden Shield award for his 12 years as leader of a Vélez-Málaga brotherhood and decades of embroidery work preserving Holy Week heritage.

José Ruiz Núñez ordered a beer at the Plaza de las Carmelitas without ceremony, seemingly unbothered that the Cofradía Assembly of Vélez-Málaga had just awarded him the Golden Shield for 2026. He is a man of measured temperament, the kind who can quiet a room with his voice. Twelve years ago, he stepped down as Hermano Mayor—the elected leader—of the Real Cofradía of Our Father Jesus of the Great Power in His Third Fall and Most Holy Mary of Sorrows, the brotherhood that processes through town on Holy Thursday. The honor meant something to him, he acknowledged, but what truly mattered was the unity within the brotherhood itself, the one he calls his "brotherhood of loves." When you do work that genuinely moves you, he said, you are already paid.

Ruiz Núñez did not arrive at Vélez-Málaga's Holy Week tradition by accident or sudden conversion. His family belonged to the Cofradía of Our Father Jesus the Garden and Most Holy Mary of the Forsaken, the oldest image in the town. He walked as a penitent in that procession as a child, part of the maternal inheritance. But then came a period, he admits, when he disconnected entirely from Holy Week. Something shifted. He fell in love with the form of the Virgin of Sorrows, and the Great Power seized him—the unique posture of that Christ figure, the way it lay stretched across the pavement in a position unlike any other in the province of Málaga. The sculptor Domingo Sánchez Mesa of Granada created it, drawing inspiration from a Third Fall in Santander carved by Manuel Cacicedo Canales. That horizontal sprawl, Ruiz Núñez insists, is singular. No other brotherhood in the region has a titular image positioned so completely prone.

His other life began in the early 1980s, almost by necessity. The Virgin's canopy was deteriorating, old and poorly made, and it needed new embroidery. He taught himself. His sister-in-law guided his hand, as did Antonio Luis Carmona, one of the embroidery pioneers in Vélez-Málaga, and the women of the brotherhood. For a time—he cannot recall exactly how long—he and a group from the cofradía trained at the San Carlos convent, learning foundational techniques. But Ruiz Núñez understood that embroidery begins on paper. A solid design must exist before the first stitch, before the slow, meticulous, laborious process of building piece by piece, stitch by stitch. The work deepens when done in community, surrounded by conversation and different eyes on the same canvas.

His fingerprints are now woven into the religious heritage of Vélez-Málaga and beyond. The canopy unveiled in 2000 bears his work. So do the banners, standards, and ornaments of nearly every brotherhood in town. He has created embroidered pieces that traveled as far as Madrid. The rivalry that once existed between his brotherhood and the Ancient Archconfraternity of the Holy True Cross—the one devoted to the Poor Jesus of Nazareth and the Virgin of Hope—has softened. There is no more competitive edge. His work and that of his collaborators saturate the visual language of the town's most sacred week.

Leadership, he learned, is a heavy responsibility. Twelve years as Hermano Mayor meant navigating moments beautiful and difficult. He remembers one from the mid-1970s, before his time in office, when the processional throne failed mid-route. The wooden support beams, joined with mortise and tenon, began to give way near Alcalde José Herrera street. Rain came hard. The procession could not continue. But Ruiz Núñez has carried forward despite such setbacks, sustained by what he said in the 2007 Holy Week sermon—words that still move him when he recalls them. He believes in the shoulder of his wife, the one he leans on still, as he did on the first day. He believes in his daughter's shoulder, watching her grow into womanhood with the same tenderness. And he believes in his mother's shoulder, imagining her laughing from heaven each time he processes. Holy Week, he says, is his life. That conviction, lived for decades through needle and thread and service, is what the Golden Shield recognizes.

When you do work that you truly love, you are already compensated.
— José Ruiz Núñez
Being Hermano Mayor is a very great responsibility, but there comes a moment when you lean on many people to move in the same direction.
— José Ruiz Núñez
The Hearth Conversation Another angle on the story
Inventor

Why does someone spend fifty years on embroidery for a religious brotherhood that will never pay him?

Model

Because the work itself is the payment. When you're stitching something that will be carried through the streets on the shoulders of people you know, people you've grown up with, it stops being labor. It becomes prayer.

Inventor

But there must be a moment when it feels like obligation, not love.

Model

He admits there was a time he stepped away entirely. Something broke the connection. But then he saw the Virgin of Sorrows, saw the way the Great Power was carved, and it pulled him back. Not everyone finds that thing. When you do, you don't let it go.

Inventor

The embroidery technique—is it difficult to learn?

Model

He taught himself. That's the remarkable part. He saw a need, a worn canopy, and he decided to fix it. His sister-in-law and an older master showed him the way, but the real teacher was repetition. Stitch by stitch, year after year, until your hands know the work before your mind does.

Inventor

What does it mean to be Hermano Mayor for twelve years?

Model

It's carrying the weight of other people's faith. You're not just managing a schedule or a budget. You're holding the tradition itself, making sure it survives another year, another generation. He says you lean on many shoulders to do it.

Inventor

Does he regret stepping down?

Model

He doesn't speak of regret. He speaks of the work continuing without him, which is exactly what should happen. The brotherhood is larger than any one person. That's the whole point.

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