The back is usually wasted space—a secondary display changes how you think about the device
In a market where smartphones have grown increasingly alike, Infinix arrives in the Philippines with the NOTE 60 Ultra — a device shaped by the design house behind Ferrari's most iconic silhouettes and equipped with satellite calling, a 200-megapixel camera, and a secondary display on its back panel. The collaboration with Pininfarina is not merely cosmetic; it reflects a broader ambition to treat a consumer device as an object worthy of considered craft. At a moment when differentiation has become genuinely difficult, Infinix is betting that beauty, reach, and personalization can carve out space in a crowded field.
- The smartphone market has largely converged on the same shapes and features, leaving brands scrambling to justify why their device deserves attention over another's.
- Infinix responds by partnering with Pininfarina — the studio behind the Ferrari F40 and Enzo — lending the NOTE 60 Ultra a design pedigree that most phones in its price tier cannot claim.
- A 200MP main camera paired with a 50MP periscope telephoto lens and 4K/60fps video pushes the device into genuine flagship photography territory, targeting both creators and casual shooters.
- Satellite calling via Direct-to-Cell technology — requiring no extra registration — addresses a real connectivity gap for users in remote regions or areas with unreliable cellular coverage.
- An Active Matrix Display on the rear panel quietly reframes personalization, offering a secondary canvas for icons, animations, and mini-games without disrupting the phone's primary interface.
- Whether Philippine consumers will embrace these layered ambitions — design prestige, satellite reach, and expressive hardware — is the open question the NOTE 60 Ultra now has to answer.
Infinix has launched the NOTE 60 Ultra in the Philippines, and the phone's most immediate statement is visual. Designed in partnership with Pininfarina — the Italian house responsible for some of Ferrari's most celebrated shapes — the device carries red accents, a refined metal frame, and four color options named after Italian cities: Torino Black, Monza Red, Amalfi Blue, and Roma Silver. The aesthetic is deliberate without being decorative for its own sake; the phone is meant to feel like a premium object that also performs serious work.
That work is anchored by a 200-megapixel main camera paired with a 50-megapixel periscope telephoto lens and a 32-megapixel front camera. Video tops out at 4K at 60 frames per second — smooth and detailed enough for professional content creation. The camera system is designed to serve both working creators and everyday users who simply want their photos to look exceptional.
Beyond photography, the NOTE 60 Ultra introduces Infinix's first satellite calling capability, using Direct-to-Cell technology to place and receive calls in areas where conventional networks don't reach. The service supports automatic roaming and requires no additional registration, lowering the barrier for users in remote locations or frequent travelers navigating coverage gaps.
The phone also features an Active Matrix Display embedded in the rear panel — invisible when idle, but capable of showing over 100 customizable icons, signatures, and emojis when activated. It supports a pixel pet companion and mini-games, and powers down automatically to conserve battery. Rather than confining personalization to the lock screen, Infinix offers a secondary canvas on the back of the device — a small but meaningful rethinking of how people express themselves through their phones.
The NOTE 60 Ultra enters a market where flagship features have grown familiar and design languages have blurred together. Infinix is wagering that a genuine design partnership, satellite connectivity, and an expressive secondary display can cut through that sameness — though how Philippine consumers respond will ultimately determine whether the bet pays off.
Infinix has brought a new phone to the Philippine market that tries to do something different: marry the aesthetic language of Italian sports cars with the technical ambitions of a flagship device. The NOTE 60 Ultra is the result of a partnership between Infinix and Pininfarina, the design house that shaped some of Ferrari's most celebrated models—the F40, the Testarossa, the Enzo. You can see that lineage in the metal frame, in the subtle red accents that echo a sports car's tail lights, in the overall sense that someone thought carefully about how this object should sit in your hand and look on a table.
The phone comes in four colors: Torino Black, Monza Red, Amalfi Blue, and Roma Silver. Each name is a small nod to Italian geography and automotive history. The design philosophy is clean without being austere—there's polish here, but the phone doesn't sacrifice performance for appearance. It's meant to feel like a premium object that also happens to do serious work.
That work centers on the camera system. The NOTE 60 Ultra pairs a 200-megapixel main sensor with a 50-megapixel periscope telephoto lens, a combination designed to serve both people who make content for a living and those who simply want their everyday photos to look sharp. The front-facing camera is 32 megapixels. Video recording tops out at 4K resolution at 60 frames per second, which means smooth, detailed footage even in motion.
But the camera is not the only feature trying to set this phone apart. Infinix has integrated satellite calling into the NOTE 60 Ultra—the company's first device to offer this capability. The technology uses Direct-to-Cell connectivity, which means the phone can place and receive calls even in areas where traditional cellular networks don't reach. The service includes automatic roaming support and requires no additional registration, making it accessible across different regions without extra friction. For users in remote areas or those who travel frequently to places with spotty coverage, this is a genuine shift in what a phone can do.
There's also an Active Matrix Display built into the back panel. When you're not using it, it's invisible—just part of the phone's clean rear surface. Turn it on, and it becomes a secondary screen capable of displaying more than 100 customizable icons, signatures, and emojis. It's not just a static display; it supports interactive features like a pixel pet companion and mini-games such as dot dash and star blast. The system is designed to be power-conscious, automatically shutting down when idle to preserve battery life.
The Active Matrix Display represents a different approach to smartphone personalization. Rather than forcing users into the standard home screen and lock screen paradigm, it offers a secondary canvas on the back of the device—a space for expression that doesn't interfere with the phone's primary functions. It's a small innovation, but it signals that Infinix is thinking about how people actually want to customize and interact with their devices.
The NOTE 60 Ultra arrives in a market where phones have largely converged on similar feature sets and design languages. What Infinix is attempting here is differentiation through design partnership and through features that address real gaps—satellite connectivity for those who need it, a secondary display for those who want more personalization options. Whether these features resonate with Philippine consumers remains to be seen, but the phone represents a deliberate effort to offer something beyond the standard flagship formula.
La Conversación del Hearth Otra perspectiva de la historia
Why does a phone company partner with a car design house? What does Pininfarina actually bring to a smartphone?
Pininfarina has spent decades thinking about how objects move through space, how they feel in hand, how every detail contributes to a sense of intentionality. That discipline translates. You're not just getting red accents—you're getting a philosophy about proportion and restraint.
The satellite calling feature—is that actually useful for most people, or is it more of a luxury feature?
For most urban users, probably a luxury. But for someone in a remote area, or a journalist working in difficult terrain, or someone who travels to places with unreliable networks, it's genuinely transformative. The fact that it requires no extra registration makes it more practical than you'd expect.
Tell me about the Active Matrix Display. Why put a screen on the back of a phone?
Because the back is usually wasted space. You're carrying this object all day, and the back just sits there. A secondary display there lets you express yourself without cluttering your main interface. It's a small thing, but it changes how you think about the device.
Does the 200MP camera actually matter, or is that just a spec sheet number?
The megapixel count matters less than what you can do with it. Paired with the periscope telephoto, you get detailed shots and real zoom range. For content creators, that's the difference between a phone camera and a tool.
What's the risk here for Infinix?
That these features feel like novelties rather than solutions. Satellite calling is niche. The back display is clever but unproven. If the core phone experience isn't excellent, the design and features won't save it.