Tools that pros reach for when projects demand perfection
In the ever-consolidating landscape of creative software, Boris FX has acquired iZotope, bringing together two companies whose tools have quietly shaped the sound and image of modern film and television. The union places industry-standard audio instruments — RX, Ozone, Neutron — alongside a thirty-year legacy in visual effects, gesturing toward a future where a single creative platform might serve the full arc of post-production. For professionals who have built their workflows around iZotope's tools, the promise is continuity; for the industry at large, the question is what such consolidation ultimately means for the diversity of creative toolmaking.
- iZotope has now changed hands twice in three years, leaving users and employees to wonder whether this latest transfer marks a landing point or merely another waystation in an unsettled journey.
- The acquisition brings genuine strategic weight: Boris FX gains not just beloved products but iZotope's machine learning research and deep audio DSP expertise, substantially broadening its platform ambitions.
- Customers face the immediate anxiety of ownership transitions — licenses, subscriptions, and support pipelines are all confirmed to continue uninterrupted, with core teams remaining in place.
- iZotope will operate as an independent business unit, a structural choice that signals Boris FX intends to preserve the culture and engineering identity that made the company worth acquiring.
- The combined portfolio now spans DAWs, audio restoration, mastering, mixing, and visual effects — positioning Boris FX as a rare single-vendor option for the entire post-production chain.
Boris FX has acquired iZotope, drawing one of audio post-production's most respected toolmakers into a company already celebrated for visual effects. The deal brings RX, Ozone, Neutron, and Nectar — names that have become professional shorthand for quality — into a portfolio that already spans DAWs, restoration software, and creative effects tools.
Founded in Cambridge, Massachusetts, iZotope spent two decades building software for recording, mixing, mastering, and broadcast, while also licensing core audio technologies — noise reduction, time stretching, sample rate conversion — to manufacturers across the industry. RX has become the default repair tool on major film and television productions; Ozone has anchored mastering workflows for over twenty years. Both carry Academy and Emmy Award recognition.
For Boris FX, itself an Academy and Emmy Award-winning company with thirty years of history, the acquisition is a meaningful expansion into audio. CEO Boris Yamnitsky described the alignment as natural — both companies built reputations on tools professionals trust when the work matters most. iZotope's VP of Product Todd Baker framed it as a return to the company's core mission of advancing creative technology.
The structure is designed to reassure users: iZotope operates as its own business unit, with existing licenses, subscriptions, and support unchanged, and its engineering and product teams intact. This is an acquisition built around preservation rather than absorption.
Still, context matters. iZotope has changed ownership twice in three years — acquired by Native Instruments in 2023, swept into inMusic's purchase of Native Instruments on June 30, 2026, and now transferred to Boris FX just days later. The company's commitment to continuity is clear, but the pace of change is a detail that customers and employees are unlikely to overlook.
Boris FX has acquired iZotope, folding one of audio post-production's most influential toolmakers into a company already known for visual effects excellence. The deal unites RX, Ozone, Neutron and Nectar—names that have become synonymous with professional audio work—alongside Boris FX's existing suite of DAWs, restoration software and creative tools.
iZotope, founded in Cambridge, Massachusetts, has spent two decades building audio software for recording, mixing, mastering and broadcast. The company's reach extends beyond its own products: it licenses audio technology—noise reduction, sample rate conversion, dithering, time stretching—to hardware and software makers across consumer and professional markets. RX has become the default choice for audio repair on major film and television sets. Ozone has anchored mastering workflows for over twenty years. Both tools carry Academy and Emmy Award recognition, a mark of their standing in the industry.
For Boris FX, an Academy and Emmy Award-winning visual effects developer with thirty years of history, the acquisition represents a significant expansion into audio. The company gains not just established products but iZotope's machine learning research and the engineering expertise behind it. The combined portfolio now spans digital audio workstations, audio restoration, mastering, mixing and visual effects—essentially offering creators a single vendor for the full post-production chain.
Boris FX CEO and founder Boris Yamnitsky framed the deal as a natural alignment of values. Both companies, he said, have built their reputations by creating tools that professionals trust when the stakes are highest. iZotope's VP of Product, Todd Baker, echoed that sentiment, describing the partnership as a catalyst for innovation in audio technology and a return to the company's core mission of advancing creative tools.
The structure matters for users. iZotope will operate as its own business unit within Boris FX, meaning existing licenses, subscriptions and support arrangements remain unchanged. Product development continues without interruption. The core engineering, product and support teams stay in place. This is not a consolidation that strips away independence; it is an acquisition designed to preserve what made iZotope valuable while giving it access to Boris FX's resources and reach.
The timing reflects a period of significant movement in the audio software space. iZotope has changed hands twice in three years. Native Instruments acquired it in 2023. Then, on June 30, 2026, inMusic completed its acquisition of Native Instruments, which brought iZotope along. Now, just days later, Boris FX has taken ownership. For customers and employees, the question is whether this latest transition signals stability or the beginning of another chapter of uncertainty. The company's public commitment to operational continuity suggests the former, but the rapid succession of ownership changes is worth noting.
Citações Notáveis
Together, we offer creators a single partner committed to excellence across everything they hear and see— Boris Yamnitsky, CEO and founder of Boris FX
Joining forces with Boris FX is a massive catalyst for what we do best – changing the industry with new innovations in audio— Todd Baker, VP of Product at iZotope
A Conversa do Hearth Outra perspectiva sobre a história
Why does it matter that Boris FX—a visual effects company—is buying an audio software maker?
Because post-production is no longer siloed. A film or television project needs both picture and sound at the highest level. If you can buy from one vendor who understands both, that's a real advantage.
But couldn't iZotope have stayed independent?
Possibly. But iZotope has been passed around twice in three years. That kind of instability makes it harder to invest in long-term research, especially in machine learning, which is expensive and slow.
What does Boris FX actually get from this?
Machine learning expertise, a proven customer base in post houses and broadcast facilities, and tools that are already embedded in thousands of workflows. They're not buying a struggling company; they're buying a standard.
Will this change how iZotope products work?
Not immediately. They've promised continuity—same licenses, same support, same teams. But over time, you'd expect integration with Boris FX's visual effects tools, maybe new features that bridge audio and picture work.
Is this good for users?
It depends on what happens next. If Boris FX invests in iZotope and lets it innovate, yes. If they strip it for parts or let it stagnate, no. The public commitment to independence is encouraging, but we'll know more in a year or two.